
She asked me, ‘Who’s that singer —you know the one
—that singer who isn’t Lou Gehrig—not him—
who was that singer who —wasn’t— Lou Gehrig?’
All of them, I answered
as I don’t believe the ballplayer ever sang.

She asked me, ‘Who’s that singer —you know the one
—that singer who isn’t Lou Gehrig—not him—
who was that singer who —wasn’t— Lou Gehrig?’
All of them, I answered
as I don’t believe the ballplayer ever sang.

If instead it described rain
fallen on dark soil, one pale flower
where no one would believe a seed had ever fallen
—where granite clasts —broken through
—are so slightly proud
and if this fiction weren’t actually
about forgetting or ignoring, but rather
about finding —just the one tender fact
—that stone awash in a turbulent stream
—to take it up, only to weigh it in your hand.

Ask again
for that morning,
the sun not risen yet,
the radio on the counter
drones and whines and squeals
seeking signal.
Look out the kitchen window,
past the sink, still with its last-night dishes,
across the misty yard
to that thin strand of woods
then the grassy playing field just beyond.
The static calms now, noise becomes music.
Ray Charles sings
of—Grace —Brotherhood
—America, America
about loving —mercy more than life.
Naked from the waist, my father,
readied for his morning shave,
leaves hot water running in the basin,
steps from the hall bathroom
to join me in the moment’s majesty,
looking out, watching that still lightless field
—everyone else in the house so safely sleeping.

As Heron appeared it was already leaving.
Maybe I am the one that scared it from its place
in among the river birch and undergrowth, the banks
this side of the river.
Maybe I can look at what I once wrote thinking you
—always thinking you— would read it.
I told a friend about this hollow feeling,
feeling like the residue left inside a lost wax mold.
Something about about fire, about wanting to be burned away.

The day your father was born, one thousand miles away,
his grandfather walked out into the woods behind his house
and cut a small dogwood branch with the perfect y-shaped fork
for a slingshot. He would use rubber laboratory tubing
for bands, an old leather scrap for the pocket.
Like with anything and everything he’s ever made
by hand, your great-grandfather took his time
on each detail—where leather fastened to the bands,
and each band to the wood. I can see him now,
when the notion first came to him, setting off
with his work gloves and a pruning shears, already
one particular branch in mind for the project.
It was Christmas when that slingshot arrived in a box
of other presents sent for the newborn’s first holiday. It wasn’t
wrapped like the other things. There was just a yellow post-it note
with your father’s name written in your great grandfather’s hand.

I hear her stir the small jar
of paint she’s mixed and know
she’s found the quiet needed to work.
Snow hasn’t yet fallen this winter.
I pick at this.
That poem about the green tomato
was supposed to be the new start
I’d promised myself, to step away from the dark.
That poem about the green tomato
was supposed to change things,
loose my loving tongue on its voluptuous
surface—simple music—

That day
That day the river will be full again
—an ample cup to sip.
We’ll watch the heron make his careful way
along the banks
like he’s looking for a coin that fell from his pocket.
I will have perfected my prayers
and ask for nothing.

To Hannah
after L. Cohen
It’s early in the morning, the last days
of April. I write you now that
the weather’s improving.
Spring’s seeming late this year,
the skies have been darker.
You’ll not come back here, I know.
Those songs I collected
that insulted California,
they were never intended
to change your mind.
I’m told that you wept last time you called.
Another courageous decision you made.
What can I tell you that you don’t already know?
Courage is rough on the brave.
I see you there with the flowers and light
that you’ve found, your drive across the desert
your lover beside you — what more could I wish for you?
— what more could I give?
I’m thinking of another song right now
born out of a more complicated love than mine.
It’s just that sometimes it’s easier
to misappropriate a line
even as it guesses wrong colors
how I — miss and — forgive you,
can confess of my faults,
how with that off my chest I could send this
without the slightest grain of salt.
Those songs I collected
that insulted California,
they were never intended
to change your mind.
Sincerely,
your father.
•
“To Hannah” appears in April: 30 Poems

The young man is pleased with his haircut
and the new blue shirt bought special
for the day—its fabric smooth, heavy
for nearly summer. The collar folds
loose at the neck, even with the top button
buttoned. One shirttail turns out to show
its thin white hem.
He’s clasped his hands behind his back
—composes himself swell-chested, proud.
This is not a smile. There wells in him an awareness
more than he can bear—where he has been
—where he is going —there is just too much
—too much —more than he can bear.
They can wander in forgetting, confused—
I suppose it’s me. I’m the one confused
—time folds so strangely.
Often the talk is of trivialities:
some household chore I ought to attend to,
sports or politics.
My father and I sit at that kitchen table as we did
and tell the same stories to each other
we always told, pretending them new each time.
Dad has that one about Carl Yastrzemski,
how after a bogus called third strike Yaz calmly bent down
and covered home plate with dirt and walked away,
never turning to acknowledge the enraged umpire
ejecting him from the game.
We laugh, smile sharing that moment again.
And then I try to tell him about 2004,
how I’d thought it might be the sweet gesture
when I brought the sports pages and an old Sox cap
to the graveside the morning after they’d finally won it all.
You’d have loved to see it, Dad.
I looked out across the cemetery hill. Hundreds of others
had done the same —baseball caps, pennants, mylar balloons,
catching the clear, tired light of October morning
—all so sweetly telling the dead.